1979《麦克白》与2021《麦克白的悲剧》中个人意志与命运的不同解读
Journal: Modern Education Forum DOI: 10.32629/mef.v8i19.17371
Abstract
莎士比亚的《麦克白》中体现了个人意志与命运之间的矛盾问题。本文从人物塑造以及电影拍摄手法两个角度出发,对比1979年的影片《麦克白》以及2021年的影片《麦克白的悲剧》,分析了两部电影表现出的对于这一问题的不同解读。本文希望通过分析这一话题,可以引发对此的新的理解。
Keywords
莎士比亚；《麦克白》；电影改编
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[2]Garber, Marjorie.Shakespeare After All.New York: Anch or Books,2004.
[3]Greenblatt,Stephen,et al.,ed.The Norton Shakespeare. New York: W.W.Norton & Company,2016.
[4]Olney,Ian.“Texts, Technologies,and Intertextualities: Film Adaptation in a Postmodern World.”Literature/Film Quar terly 38(2010):166-70.
[5]Shakespeare,William.Macbeth.Toronto:Morang Educatio nal Company,1907.
[6]The Tragedy of Macbeth.Dir.Joel Coen.Perf. Denzel Was hington, Frances McDormand, Alex Hassell, and Bertie Carvel. Apple Original Films,A24,and Iac Films,2021.
[7]Williamson, Lynette.“Virtual Seating in the Globe The atre:Appreciating Film Adaptations of Shakespeare’s Plays.”The English Journal 99(2009):71-73.
[8]陈必豪.“东方的《麦克白》:论《蜘蛛巢城》的改编策略.”[J]《山西大同大学学报(社会科学版)》,2025,39(3):129-32.
[9]贾内梯.《认识电影》[M].焦雄屏,译.北京:中国联合出版公司,2016.
[10]姜欣言,范玉刚.“XR对戏剧时空美学观的重塑——以XR数字戏剧《麦克白》为个案.”[J]《艺海纵横》,2025,(2):101-10.
[11]李丹,和隗雪燕.“莎剧《麦克白》在川剧舞台上的嬗变——川剧《马克白夫人》中的意识流、自我与分身.”[J]《河北师范大学学报(哲学社会科学版)》,2025,48(4):150-56.
[12]莎士比亚.《麦克白》[M].朱生豪,译.北京:中国宇航出版社,2016.
[13]叶夏弦.“技术、具身与融合:论中国首部XR数字戏剧《麦克白》”[J].《戏剧影视研究》,2024,22(4):47-53.
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