Arts Studies and Criticism

The cultural landscape of Guangxi's ethnic minorities is remarkably diverse, with sculpture serving as a vital cultural medium that plays a pivotal role in preserving, transmitting, and showcasing ethnic traditions. This study focuses on the figurative representation of ethnic minority subjects in Guangxi's sculptural works, analyzing their artistic characteristics, cultural connotations, and contemporary trajectories. Functioning as both historical documentation and cultural embodiment, these sculptures not only chronicle the quotidian lives and historical narratives of ethnic communities but also carry profound cultural symbolism. The sculptural tradition in Guangxi dates back to the Neolithic period, initially driven by religious rituals and agricultural practices. Over time, the thematic scope expanded to encompass daily life and historical events, while sculptural techniques have been continuously enriched and refined through ongoing inheritance and innovation. This legacy establishes a robust foundation for contemporary sculptural creation centered on Guangxi's ethnic themes, positioning it as an essential vehicle to articulate Guangxi's evolving narratives, reconfigure visual identities, and perpetuate ethnic ethos.