The Paradigm Reconstruction of Popular Singing Skills under Digital Ecology — Taking Virtual Idols as an Example

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i2.3825

Xiangpeng Li

Changchun University, Changchun, Jilin, China

Abstract

As an emerging form of music performance under the digital ecology, virtual idol integrates various high-tech means, such as holographic projection, motion capture, augmented reality (AR), virtual reality (VR), and online live broadcasting and interaction. These technologies not only enable virtual idols to present highly realistic images and dynamic performances, but also bring audiences to an immersive audio-visual experience and the opportunity to interact directly with the idols. Holographic projection technology makes virtual idols stand on the stage like real people, while motion capture technology realizes the smooth and natural movements of virtual idols. Augmented reality technology brings the audience a unique visual effect of combining virtual and real conditions, while virtual reality technology provides an immersive viewing experience. In addition, online live broadcasting and interaction have become an important bridge between virtual idols and fans, enabling fans to participate in the singing and interaction of virtual idols in real time. These diversified forms of performance not only enrich the music content of virtual idols, but also bring new opportunities for the development of the music industry.

Keywords

digital ecology, Pop singing skills, paradigm reconstruction, virtual idol

References

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Copyright © 2025 Xiangpeng Li

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