Discussion of the Problems of Sound Creation and the Use of Recording Technology in Microfilm

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3330

Gui Li, Mengke Lei

Zhujiang College, South China Agricultural University, Guangzhou 510900, Guangdong, China

Abstract

As an emerging form of film, microfilm, with its short, compact and relatively low production cost, has received widespread attention and love in recent years. However, in the process of microfilm creation, the use of sound creation and recording technology is often neglected, resulting in the work in the audio-visual effect is greatly compromised. The purpose of this paper is to discuss the problems of sound creation and recording technology in microfilm, in order to provide some useful references and suggestions for the production of microfilm.

Keywords

microfilm, sound creation, recording technology, problems, application countermeasures

References

[1] Miyazawa. Early film sound theory and composition: Eisenstein and Chaplin[J]. Music and Sound Research,2022,(02):108-135.
[2] Zhan Xin, Zhang Jingbo. The manifestation of sound:A study of movie sound design[J]. Modern Film Technology,2022,(06):58-62.
[3] Nie Jia. From sound shot to sound cluster: a study of movie sound structure[J]. Journal of Beijing Film Academy,2021,(06):57-64.
[4] Xufeng Wang. Directorial thinking and story construction of movie sound creators[J]. Movie Review,2021,(01):19-24.

Copyright © 2025 Gui Li, Mengke Lei

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License