Research on the Current Situation of the Development of Folk Songs in Western China

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i4.4335

Lei Shang

School of Art, Qinghai Minzu University, Xining 810000, Qinghai, China

Abstract

This paper examines the inheritance and innovation of western Chinese folk songs in contemporary society, focusing on their roles in preserving cultural diversity, shaping ethnic identity, and boosting tourism. Through literature analysis and fieldwork, it reviews historical origins (e.g., northern Shaanxi, Xinjiang, Tibetan folk songs) and their unique musical-cultural connotations. It then identifies key challenges: aging inheritors, declining youth engagement, and commercialization-driven authenticity loss. Finally, it proposes strategies including school-based educational inheritance, new media dissemination, and cultural-tourism integration, emphasizing their potential in China's cultural "going global" strategy amid globalization.

Keywords

western folk songs; cultural inheritance; intangible cultural heritage; ethnic music; cultural-tourism integration

References

[1] Wang Dajiao, Li Xiaotong. Aural Expression and Aesthetic Identity: The Transnational Dissemination of Folk Song Art [J]. Northwest Ethnic Research, 2022.
[2] Li Qi. Research on the Construction of Chinese Excellent Traditional Culture Inheritance Bases: Taking "Western Folk Songs" as an Example [J]. Gansu University Journal, 2025, 2.
[3] Zhou Jing. Western Folk Songs in the Perspective of Yellow River Culture: A Case Study of Jingyuan Folk Songs [J]. Journal of Lanzhou Jiaotong University, 2021, 5.

Copyright © 2025 Lei Shang

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