The Modern Transformation of Chinese Ethnic and Folk Dance on University Stages
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v6i4.4192
Abstract
In order to further promote the modern transformation of ethnic and folk dance and meet the contemporary artistic needs of a broad audience, it is essential to emphasize the transformation paths of folk dance in higher education, and to fully understand the characteristics and modern transformation value of different ethnic folk dances. This paper, based on the analysis of the types and characteristics of Han and ethnic minority folk dances, reveals the significance of cultural inheritance. It also analyzes the value of modernity in folk dance on university stages and proposes paths for the modern transformation of Chinese ethnic and folk dance in higher education settings, thereby providing reliable support for the innovative development of ethnic folk dance in universities.
Keywords
Chinese ethnicity; folk dance; university stage; modern transformation
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[2] Zhao Zhichan. Research on the Integration of Chinese Ethnic Dance and Modern Dance. Shangwu, 2025, (08): 120-122.
[3] Wei Shuer. Crossing Cultural Boundaries: Innovative Exploration of the Fusion between Popular Music and Yunnan Ethnic Minority Dance — Taking "APT." and Achang "Dengwolu" as Examples. Famous Artists and Works, 2025, (12): 55-57.
[4] Tang Xiaocui. Exploration of the Integration Path of Intangible Cultural Heritage Inheritance and Ideological-Political Education — Based on the Collaborative Reform of the Second Classroom and Ethnic Dance Courses. Pinwei·Classics, 2025, (07): 47-49+67.
[5] Zhao Shuai. Innovative Implementation Path of Ethnic Minority Dance Teaching from the Perspective of Campus Inheritance. Art Panorama, 2025, (09): 146-148.
[6] Shen Linlin. Research on the Integration of International Standard Dance and Chinese Ethnic Dance under the New Situation. Drama Home, 2024, (05): 128-130.
[7] Jiao Jing. Research on the Inheritance and Modern Development of Ethnic Dance Art. Daguan (Forum), 2024, (07): 135-137.
[8] Lu Lu, Li Jie. Exploration of the Modern Direction of Traditional Ethnic Minority Folk Dances in Guizhou. Guizhou Ethnic Studies, 2022, 43(04): 138-142.
[9] Mu Yu. Ethnic Dance and World Dance from a "Global Perspective" — Also Discussing the Aesthetic and Cultural View of Chinese Dance Art. Ethnic Art Research, 2024, 37(01): 124-131.
[10] Jiang Xuechun. Research on the Protection Significance of Chinese Ethnic Minority Folk Dances as Tourism Culture. Tourism Overview, 2024, (05): 143-145.
Copyright © 2025 Yichao Chen
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