The Urban Spatial Narratives in Chinese Cinema: Regional Characteristics and Social Transformation in Chongqing
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3447
Abstract
In recent years, Chinese cinema has shown a trend of diversification and genre integration. This paper explores the spatial narratives of Chongqing and Northeast China in Chinese films, examining their roles in reflecting regional characteristics and social transformations. The study finds that Chongqing, with its unique terrain and urban structure, frequently serves as a backdrop for suspense and crime films, while Northeast China, characterized by its industrial history and cultural humor, presents a complex dual image. These spatial narratives enrich the artistic content of Chinese cinema and deepen the audience's understanding of regional culture and societal changes. By integrating urban geography, sociology, and film theories, this paper provides a systematic analysis of the narrative functions of these regions, offering new perspectives on the localization and global influence of Chinese cinema.
Keywords
Chinese cinema, spatial narratives, Chongqing, Northeast China, social transformation, regional culture, genre films
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