The Construction of White Supremacy through White Ideals in The Bluest Eye

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3443

Weiwei Deng, Jun Deng, Hai Bai, Anjie Gong, Fanglan Shu

Sichuan University of Arts and Sciences, Dazhou, Sichuan, China

Abstract

In The Bluest Eye, Morrison stresses the destructiveness of white ideals and its manipulative impact on value production. The point is also highlighted by Fanon. As stated by Oliver, Fanon indicates Oliver further points out that, through economic subordination and the technological propaganda of images of inferior black figure, colonization along with racism successfully colonizes the black’s body and mind. The technological propaganda of images of inferior black people aims to shape the black’s view of the world and form the black’s sense of themselves. Morrison concurs with Oliver’s opinion on the colonizing effect of the all-pervasiveness of images of the inferior black. Morrison dramatizes the racist condition of black subjects who are overwhelmed by white images in white culture and, as a result, reinserted into the racist discourses of white/beautiful/civilized and black/ugly/primitive in The Bluest Eye.

Keywords

Toni Morrison; The Bluest Eye; the white ideals; racism

References

[1] Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford UP, 1987.
[2] Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Press, 1967 .
[3] The Wretched of the Earth. Trans. Constance Farrington. New York: Grove Press, 1963.
[4] Morrison, Toni. The Bluest Eye. Harmondsworth: Penguin Plume, 1994.
[5] Oliver, Kelly. The Colonization of Psychic Space: A Psychoanalytic Social Theory of Oppression. Minneapolis: U of Minnesota P, 2004.
[6] Wong, Shelley. “Transgression as Poesis in The Bluest Eye.” Callaloo 13. 3(1990):471-481.

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