The Dialogue between Rothko's Aesthetic of Painting and Traditional Chinese Philosophy

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3442

Lishu Zhang

Sichuan Conservatory of Music, Chengdu 610021, Sichuan, China

Abstract

Mark Rothko's paintings construct a spiritual space that transcends the material world, using minimalist colors and a tranquil atmosphere. Centered on emotional and spiritual experiences, his works lead viewers into realms of reflection and meditation. His artistic expression closely aligns with Daoist concepts such as "Emptiness" and "Nothingness", reflecting an artistic dialogue between Eastern and Western philosophies. This paper analyzes Rothko's use of color, space, and spirituality in specific works, exploring how his aesthetics merge with the core ideas of Daoism and the philosophical resonance between Eastern and Western cultures.

Keywords

Rothko; Daoist philosophy; Emptiness; Spiritual experience

References

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