Examine the Relationship Between the Composer, Performer, and Audience
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i6.3329
Abstract
This article explores the underlying relationship between composers, performers, and audiences. By examining separately how these three entities interact to create, interpret, and experience music, the process analysis of music composition, performance, and audience reception highlights how each factor influences and is influenced by the others. By analyzing this triadic relationship, this article reveals the collaborative nature of musical experience, showing how composers, performers, and audiences work together to shape the meaning and impact of music in different cultural and historical contexts.
Keywords
composer-performer relationship, audience engagement, musical communication, music philosophy
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[3] Haynes, B. (2010). The end of early music: a period performer's history of music for the twenty-first century. Oxford University Press (pp. 86-101).
[4] Herbert, T. (2012). Music in words. London: ABRSM.
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[6] Lin, X, H. (2015). What Do the Philosophers Do? China, Beijing United Publishing Company.
[10] Rosenblum, S. (2007). Performance practices in classic piano music. Bloomington: Indiana University Press.
[11] Rousseau, J. (2015). Discours sur l'origine et les fondements de l'inégalité parmi les hommes. China, Zhejiang Literature & Art Publishing House.
[12] Sessions, R. (1971). Musical experience of composer, performer, listener. Princeton, New Jersey: Princeton University Press.
[13] Small, C. (1998). Musicking: The Meanings of Performing and Listening. Middletown: Wesleyan University Press.
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