Exploration into the Evolution of Arthur Danto's Style Matrix

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i5.3080

Bohui Tang

College of Humanities, Luxun Academy of Fine Arts, Shenyang , Liaoning, China

Abstract

This paper discusses in depth the "style matrix" theory proposed by Arthur Danto, which analyzes the composition and evolution of artistic style in the framework of logical  matrix,  and  challenges  the  single  definition  of  the  essence  of  art  in  the traditional imitation theory. Danto emphasizes that the legitimacy and value of works of art not only depend on their physical properties and visual expression, but also are influenced by the theoretical  atmosphere  of art  and  the knowledge  of art history, revealing the complex positioning of works of art in a specific  social system and cultural context. The style matrix model has been improved, enhanced the historicity and inclusiveness, and provided a powerful tool for the fine classification of art styles and the narrative innovation of art history. Although faced with such controversies as the complexity of predicate logic relations, theoretical arbitrariness and the obscure of artists' intentions, this theory has opened up a new perspective for art history and art research, stimulated in-depth exploration of the relationship between art nature and social culture, and has an important influence on the development of contemporary art theories.

Keywords

Danto; style matrix; style; art theory

References

[1] By Arthur Danto, translated by Wang Chunchen: Art World [J]. Foreign Aesthetics, 2012,19.
[2] Arthur Danto, translated by Wang Chunchen, After the End of Art: The Boundary Between Contemporary Art and History [M]. Nanjing: Jiangsu People's Publishing House, 2007,171.
[3] (US) Arthur Danto, Translated by Wang Chunchen: Art World [J]. Foreign Aesthetics, 2012,17.
[4] (US) Arthur Danto, translated by Wang Chunchen, After the End of Art: The Boundary between Contemporary Art and History [M]. Nanjing: Jiangsu People's Publishing House, 2007.174.
[5] (US) Arthur Danto, translated by Wang Chunchen, After the End of Art: The Boundary Between Contemporary Art and History [J]. Nanjing: Jiangsu People's Publishing House, 2007.177.
[6] Arthur Danto, translated by Wang Chunchen: Art World [J]. Foreign Aesthetics, 2012.18.
[7] Carroll, N. (1995). Danto, Style, and Intention. The Journal of Aesthetics and Art Criticism, 53(3), 256.
[8] Arthur Danto, translated by Wang Chunchen, After the End of Art: The Boundary Between Contemporary Art and History [J]. Nanjing: Jiangsu People's Publishing House, 2007.177.

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