Tibetan in Painting: The Embodiment of the Idea of Impermanence in the Animation "The Return of the Great Sage"
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v5i1.1853
Abstract
The connotation of domestic animation is becoming more and more mature, and at the same time, it is integrated into the characteristics of the times, so that domestic animation gradually presents the aesthetic characteristics of nationality and era. Based on the aesthetic theory of Zen Buddhism's idea of impermanence, this paper takes "Journey to the West: The Return of the Great Sage" as a case study, and takes the life wisdom of the heart triggered by the Chinese thought of impermanence as the starting point. Seeking the combination of traditional culture and animation provides ideas for the inheritance and development of traditional cultural aesthetics to a certain extent.
Keywords
the return of the great sage, the idea of impermanence, the idea of non-thought, the absence of appearance, the body, and the non-dwelling
Funding
General Project of Philosophy and Social Science Research in Universities of Jiangsu Province (Grant No.: 2022SJYB0453); Nanjing Institute of Technology Talent Research Start-up Fund Project (Project Approval No.: YKJ201992)
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