Fetish, Shaman and Root Seeking — Evgeny Antufiev’s Maze
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i6.1119
Abstract
This essay is mainly about Evgeny Antufiev’s solo exhibition: “Twelve, wood, dolphin, knife, bowl, mask, crystal, marble and bones — fusion. Exploring material”. Analyzing his motivation and final presentation, aiming to grasp the unique national characteristics of Evgeny Antufiev’s artwork, exploring the source of Shamanic elements and how these effect his artwork. This article goes through “Fetish, Shaman, Rooting” three topics. Evgeny Antufiev’s artwork has special charisma, also provides a paradigm for contemporary art create activities. And the most important is to bring more dimensional thinking of artistic activity which intends to against the era.
Keywords
contemporary art, shamanic, Evgeny Antufiev, fetish
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[1]Evgeny Antufiev. (2013) Twelve, wood, dolphin, knife, bowl, mask, crystal, bones and marble-fusion. Exploring materials, in Evgeny Antufiev. Publisher: A+m Bookstore, 150 p, ills colour & bw, Italian/English.
[2]Eliade, M. (2004) Shamanism: Archaic techniques of ecstasy. NJ: Princeton University Press.
[3]Rasmussen, K. (2018) Intellectual Culture of the Iglulik Eskimos, Publisher: Forgotten Books.
[4]Yves, Vade. (2001) Literature and Modernity (Chinese Edition), Publisher: Peking University Press.
[5]Simone, W. (2001) The Need for Roots, Publisher: Routledge.
[6]Marta Galli. (2018) Evgeny Antufiev: Artists are all tied to their habitats. https://www.conceptualfinearts.com/cfa/2018/01/02/evgeny-antufievinterview/
[7]Shuxian Ye. (2020) The Crisis of Modernity and the Search for Cultural Roots, Shanxi People Press.
[8]Steve Bruce. (2000): “The New Age and Secularization” in Steven Sutcliffe and Marion Bowman (ed.), Beyond New Age: Exploring Alternative Spirituality, Edinburgh: Edinburgh University Press.
[9]C. G. Jung. (1968) Psychology and Alchemy, Princeton: Princeton University Press.
[10]George E. Marcus, Michael M. J. Fischer. (1999) Anthropology as Cultural Critique, University of Chicago Press.
[2]Eliade, M. (2004) Shamanism: Archaic techniques of ecstasy. NJ: Princeton University Press.
[3]Rasmussen, K. (2018) Intellectual Culture of the Iglulik Eskimos, Publisher: Forgotten Books.
[4]Yves, Vade. (2001) Literature and Modernity (Chinese Edition), Publisher: Peking University Press.
[5]Simone, W. (2001) The Need for Roots, Publisher: Routledge.
[6]Marta Galli. (2018) Evgeny Antufiev: Artists are all tied to their habitats. https://www.conceptualfinearts.com/cfa/2018/01/02/evgeny-antufievinterview/
[7]Shuxian Ye. (2020) The Crisis of Modernity and the Search for Cultural Roots, Shanxi People Press.
[8]Steve Bruce. (2000): “The New Age and Secularization” in Steven Sutcliffe and Marion Bowman (ed.), Beyond New Age: Exploring Alternative Spirituality, Edinburgh: Edinburgh University Press.
[9]C. G. Jung. (1968) Psychology and Alchemy, Princeton: Princeton University Press.
[10]George E. Marcus, Michael M. J. Fischer. (1999) Anthropology as Cultural Critique, University of Chicago Press.
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