Great Sound and Hopeful Sound — On the Modern Music Aesthetics in the Violin Piece "Empty"
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i3.935
Abstract
The existence mode of music is a dual practice activity which includes the unity of human social practice and music aesthetic practice. This way of existence is a necessary premise for the theoretical study of music aesthetics. From the perspective of modern music aesthetics, the traditional music ideology and culture will be discussed with the violin piece "Empty" written by contemporary Chinese composer Qu Xiaosong in 1979 to explore the music aesthetics of "big sound and sound", so as to promote the transformation of traditional excellent culture in modern times.
Keywords
Da Yin Xi Sheng, violin music, "Empty", modern music aesthetics
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