The Practice of Art Gallery Group in Contemporary Museums

Journal: Arts Studies and Criticism DOI: 10.32629/asc.v3i3.924

Xuechun Yuan

Macau University of Science and Technology, Macau, China

Abstract

Taking the protection and utilization of industrial remains of Hangzhou Arts and Crafts Museums as an example, this paper investigates and analyzes the measures and effects of Hangzhou Arts and Crafts Museums, expounds new ideas and strategies for the protection and reuse of industrial heritage in Hangzhou, and discusses how industrial remains are used in urbanization with the purpose of finding new positioning and value in the process as well as proposing an appropriate redevelopment direction and safeguard measures for the next development of Hangzhou Arts and Crafts Museum Group.

Keywords

Art Gallery Group, contemporary museums, aesthetics

References

[1] Yan Jianqiang. The Theory and Practice of Museums, Zhejiang Education Press
1998.
[2] Li Xiaojun. Landscape transformation and renewal — from industrial wasteland to recreational place, Tianjin University, 2007.
[3] Kevin Lynch: City Image, Huaxia Publishing House, 2001.
[4] Zhang Yanfeng, Chen Bochao, Zhang Minghao: A Regenerating Design and Development Model for the Reconstruction and Reuse of Old Buildings, Journal of Tianjin Urban Construction Institute, No. 2, 2003
[5] Chen Ji, Fan Guosheng, Duan Xiaomei: Current Situation and Development Trend of Urban Industrial Heritage Protection and Utilization, Green Building, 2011, No. 2
[6] Tao Xuefeng: A New Way of Protecting and Utilizing Innovative Traditional Industrial Remains, Hangzhou, 2010, No. 11.

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