The Turn and Change of Chinese Contemporary Oil Painting Patterns
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v2i4.559
Abstract
Oil painting in China's local development breaks the shackles of traditional formal language and further highlights the innovation and turn of oil painting's iconography. This paper will focus on the rebellion of pictorial vision against tradition, the widening of the boundaries of vision and how pictorial personality uses the medium.
Keywords
Chinese contemporary oil painting, iconography, turn
Full Text
PDF - Viewed/Downloaded: 7 TimesReferences
[1] Russell. The meaning of modern art [M] . Translated by Chang Ningsheng. Beijing: People's University of China Press, 2003.
[2] Chen Sheng. The Chinese Evolution of Integrated Material Painting [M]. Beijing: China Youth Press, 2012.
[3] Zhu Qi. New Art History and Visual Narrative [M]. Changsha: Hunan Art Publishing House, 2003.
[2] Chen Sheng. The Chinese Evolution of Integrated Material Painting [M]. Beijing: China Youth Press, 2012.
[3] Zhu Qi. New Art History and Visual Narrative [M]. Changsha: Hunan Art Publishing House, 2003.
Copyright © 2021 Jinjing Yang, Lan Chen
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License