Leaving Blank Space — the Highest Realm of Chinese Painting
Journal: Arts Studies and Criticism DOI: 10.32629/asc.v1i1.155
Abstract
The highest realm of Chinese painting is leaving blank space. Chinese painting has always been an art upholding blank space. In the traditional Chinese painting, the subject is described more in detail, but there is nothing in the background. Wonderful effect of virtual and real life joining together, which is generated by leaving blank space, can inspire endless imagination.
Keywords
leaving blank space, chinese painting, realm
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[2] Zhou Jiyin. A Collection of Chinese Painting Theory. Jiangsu Phoenix Fine Art Publishing Ltd; 2019. ISBN: 9787558061202.
[3] Wang Bomin. General History of Chinese Painting. SDX Joint Publishing Company; 2018. ISBN: 9787108060419.
[4] Wang Xun. History of Chinese Fine Arts. People’s Fine Arts Publishing House; 2018. ISBN: 9787102053080.
[5] Revised edition of Research on Painting Theory of Six Dynasties. Tianjin: People’s Fine Arts Publishing House; 2015. ISBN: 9787530568064.
[6] Liu Tao. The History of Minimalist Chinese Calligraphy. People’s Fine Arts Publishing House; 2014. ISBN: 9787102067520.
[7] Yue Baoqun. A Collection of Painting Theories (Both two volumes). the Palace Museum Press; 2014. ISBN: 9787513406925.
[8] James Cahill. Illustrated History of Chinese Painting. SDX Joint Publishing Company; ISBN: 9787108047854.
[9] Susan Bush. “Heart Painting - 500 Years of Chinese Literati Painting”. Peking University Press; ISBN: 9787301287699.
[10] Zhu Liangzhi. Wine-Making Yard and Lotus Pool in Breeze- Ten Lectures on Chinese Art Revised Edition). Zhonghua Book Company; 2014. ISBN: 978796231.
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